The Art Gallery of Ontario
Last week my best friend and I decided we should start pulling ourselves out of bed earlier than noon and stop wasting our days away watching old reruns of our favorite shows or informericals. While this didn’t last more than two days, those two days were fun. One day we went shopping up and down Queen street and eventually got shot back into our Mississauga past while having lunch at Jack Astors. The other day we went to the newly renovated AGO. While we were there I jotted down a million little notes that I can’t completely comprehend anymore. However, I’ve decided to go to Ohio this weekend (for the Secular Student Alliance’s 9th Annual Conference) and have been looking at art galleries in Columbus which ultimately reminded me of my trip to the AGO and a few sentiments I’d like to share. But I would first like to apologize – I didn’t write the names or artists of any of the pieces I’m about to site… I should have, and I’ll try to get my BFF to fill in what he can. But…my descriptions will have to suffice.
1. Art is uncomfortable… and that’s okay. Some artists seem to enjoy dealing with issues that make other people squirm. Some people deal with these pieces of art by laughing at them. Others call these pieces irrelevant. And some, like myself, end up feeling useless and guilty after seeing them. I’m speaking specifically about two pieces. The first was a tepee that was made out of traditional colonial garments, on the side there was a beautiful western chandelier. There was a video playing with a native riding a horse, and two white men. The white men were bathing in the water and call the native over to join them. They end up stealing his clothes, beating and raping him. The second piece was the same sort of theme, it was totem poles made out of golf bags. Some laughed at the video, calling it funny (because it was done in a bit of a humorous way) and others actually said the artist was living too much in the past when the natives “stuff was really an issue”. Most people I saw ignored the totem poles. The words to describe what these two pieces of art are depicting are endless, and not happy. But its interesting how people can’t (or maybe don’t want to…) deal with it. They either need to turn it into a joke, or call it irrelevant. Maybe the reactions themselves show that these aren’t really issues in the past.
2. Minimalism... has a purpose. The way the AGO is set up is that each floor is either a different time period or a different theme in art history. There is one section for minimalism. I remember the first time I ever saw a painting that was simply a red line from floor to ceiling. …I mean, the color was a pretty nice shade of red, and the line was really big – but even at that age (around 12 or 13 I think) I couldn’t help but think “wow, what a hunk of total crap”. While my feelings about minimalism haven’t really changed, even after developing a greater appreciate for art in general, I was glad to see some of the pieces at the AGO. Minimalism, as far as I know, was a time period when artists were trying to take back the simplicity of art. They were trying to tone down the Andy Warhols and pop-culture crap that was “ruining” art (that ruined art happens to be my favorite stuff…). So they made these (very) simple paintings as a response. While, largely, I think we can all agree this time period of art was more or less a gigantic failure it is still a part of art history. It is important to keep all the history there, and not just hide or tuck away the parts that were really stupid. …That is my new appreciation for minimalist art work – its crap, but it is historical crap.
3. Kids under the age of 18 are dumb. I say this for two different reasons. The first is that I heard so many children running around saying “I could do that” (to a Monet…) or “Thats not art, that’s just a picture of Elvis in three different colors”. I know parents want their kids to grow up being cultured – but honestly, if you’re going to bring them to an art gallery teach them to STFU and take the time to explain to them the importance of some of the stuff. While some art seems to use techniques that seem to be pretty simple, people at every age should be taught the importance of respecting and attempting to intelligently look at pieces of art. The second reason deals with a situation that happened to me last December. I was at Xu’s for christmas dinner and his little cousin was going on about how the modern art was useless and held no meaning. He spoke specifically about an artist who used a sink on a canvas. The kid went on and on and on about how dumb the sink was. I had never seen it, so I couldn’t say anything. However I finally saw it and learned that it was a piece done by a man who wanted to make ordinary objects in our lives seem wondrous again, as they were in our childhoods. Now – Im not a huge fan of the idea, but there was definitely more to it than this kid was saying. Part of the issue was that he just didn’t appreciate anything that didn’t immediate look pretty – but mostly it was because he was probably just regurgitating something his mother had said about it.
4. Surrealism is boring.
5. I take a long time to digest things. This may explain #4. My BFF moved very quickly through the exhibits…or so I thought. He would be done an entire room and I’d still be on the first painting. To make matters worse…even after I finally finished looking at everything I would still be thinking about them on the next floor. As we wandered out of the modern art area and down into the surrealism area I was thinking about the modern art through the entire surrealist section. By the time we were done the surrealist section I started writing some notes. My BFF asked what I was writing about the surrealist art (since I hadn’t said anything the entire time we were in there he was surprised that I had stuff to write…) but was shocked when I told him I was writing about the modern art stuff and was totally unable to digest any of the surrealist stuff I saw because I was still thinking about sinks, Warhol and minimalism. (Thinking back, the surrealist stuff was really boring…maybe thats why I stayed in the modern art section for so long)
6. The group of 7. My BFF and I got into a bit of a quarrel over the group of 7. While I live and breath for Harris and Carrs paintings (Harris’ lines with Carrs lines…can you imagine?!) he couldn’t stop talking about how they were a bastardization of Canadian landscape and because they were funded by the government they were used as a tool of colonialism. They were over-simplifications of Canadian landscapes and an attempt to rid the natives off of the canvas and Canadian history. And when I mentioned that Carr does indeed paint natives the issue turned into a white woman painting the lives and cultures of natives and that this was not a proper representation of Canada. “But, it’s so beautiful…” I would respond. While I understand what he is saying, and agree that there are deep social and cultural issues with the group of seven’s work (and most art work for that matter) when is it okay to stop worrying about the issues and just enjoy the beauty that the artists has put on the canvas? Now, obviously the two aren’t mutually exclusive but at the time it seemed like they were. BFF wouldn’t let me look at the group of 7 in peace and I just wanted him to bugger off.
7. The renovations are neat, but I think the ROM looks cooler.
Anyway, these are my thoughts and impressions of the AGO this time around. Hopefully I’ll be able to write a bit about the art galleries I visit in Ohio. I’d really like to get to the MOMA at some point this year too. Xu and I are looking into a trip to NYC in the near future, so that will be a definite target for us.
